| Heritage World Coin Auctions > Hong Kong Signature Sale 3111 | Auction date: 9 December 2023 |
| Lot number: 36373 Price realized: 2,600 USD (Approx. 2,415 EUR) Note: Prices do not include buyer's fees. | |
| Lot description: Italy Livorno. Cosimo III Medici Tollero 1712 MS62 NGC, Livorno mint, KM35, Dav-1500. A superb Italian Crown-type, boasting a regal castle scene on the reverse, a Medici portrait on the obverse, and a thick, glossy sheath of gun-metal patina throughout. Quite scarce in Mint State, and no other examples of the type have certified finer at NGC. https://coins.ha.com/itm/italy/livorno/italy-livorno-cosimo-iii-medici-tollero-1712-ms62-ngc-/a/3111-36373.s?type=DA-DMC-CoinArchives-WorldCoins-3111-12092023 HID02906262019 © 2023 Heritage Auctions | All Rights Reserved Estimate: 1000-2000 USD |  |
Match 1:
| Spink > Auction 24004 | Auction date: 4 April 2024 |
| Lot number: 346 Price realized: 13,000 GBP (Approx. 16,338 USD / 15,176 EUR) Note: Prices do not include buyer's fees. | |
| Lot description: Australia, (Southern Australia), Government Assay Office (1837-1901), Adelaide Pound, 1852, "Type I", by James Payne, GOVERNMENT ASSAY OFFICE | 1852 | ADELAIDE, crown above date inside beaded circle, rev. WEIGHT, 5 DWT: 15 GRS: | VALUE | ONE | POUND | 22 CARATS., written value within beaded circle, weight and fineness around, edge milled, 9.96g, 12h (Capt. J J Cullimore Allen, Sovereigns of the British Empire', p. 57 = Spink Auction 90, March 1992, lot 383 same dies; KM 1; Friedberg 1; McDonnell 1), with integral late-Victorian rose-gold loop soldered at 12 o'clock, otherwise lightly sweated in largely original and residually lustrous fields, an icon of Australian numismatics with a putative 50 coins struck before the die broke, struck details better than very fine, extremely rare in any condition. The Type 1 variety of this famous coin, of which it is believed that no more than 50 were struck before thefamous die-crack on the reverse developed in size until the die was unusable, is both a great rarity and the very first gold coin type struck in Australia. Most known specimens are not without marks because, at the time of their minting, coins were not being saved by collectors; all of the locally made gold coins were much needed for commerce, and both varieties of 1852 Adelaide pounds were soon mixed together and distributed to banks for use. Almost all of them ultimately perished. The continent of Australia remained the domain of scattered indigenous people for centuries until 'transported' British convicts, followed by other settlers, began to make a new civilization in the early nineteenth century. The towns, mostly distant from each other, existed because of farming and cattle ranching. Hard monies seen in early Australia were cast-offs, like most of the inhabitants. All this changed in the early 1850s with the discovery of gold near the town of Adelaide; other gold fields were soon discovered, and these over the course of only a few decades would change Australia from being a sleepy outback into a new country of great prosperity. Soon, too, worn-out old foreign coins ceased to be the main currency. Prospectors quickly brought specie to towns near the gold fields but, as was equally true in early California during its gold rush of 1849, nuggets and gold dust were not easily used for money. Commerce was consequently stymied despite the influx of this new source of real wealth. There were two problems to be sorted out. Turning raw gold into usable coinage was no simple affair, nor was it legal for an British colony to produce its own money without first obtaining approval from the British Crown. In 1852 all distant communication was by mail, via sea passage, and it simply was not practical to await legal sanction to coin money in the name of Queen Victoria. The need for gold coins for local use was pressing. Ideally such coins would have the same value as the familiar English sovereigns. So, in November of 1852, the South Australia Legislative Council passed an emergency measure, entitled the Bullion Act. At first the assay office thereby created smelted ore into ingots, but these were no more easily used in commerce than gold dust or nuggets. What to do until approval from London arrived? The Council decided to hire a local die-sinker by the name of Joshua Payne. He produced a pair of dies that created the now-famous Adelaide pound featuring the distinctive legends as well as a declared fineness and weight in gold. The resulting 'emergency tokens' looked exactly like coins; they were not elegant but they were of good weight. The issuing authority never intended its golden money to be more than token issues of solid value and must have assumed that their local coins would be recalled and turned into new sovereigns, once approval of the Crown was obtained. But history intervened, and a legendary coin for collectors was born. The local die-sinker had done his job but evidently failed to make the dies of sufficient hardness: after producing just a tiny number of coins, the reverse die failed, cracking at the 12-o'clock position from the rim inward (to the left of 'DWT' in the legend). The first die split apart and another die was quickly made, varying slightly from the first - the simple beaded circle with two linear outlines changed to resemble the form used for the obverse - and this time it was correctly hardened and ultimately produced an estimated 25,000 gold pounds. These were all rapidly thrown into commerce, as were the handful minted showing the die-break, of which only 25 to 50 are thought to have been made. Almost all of these coins experienced plenty of use because they were needed for commerce. Nobody at the time noticed that some of the coins were different from the others. No collectors saved coins in 1850s South Australia! The Crown in Britain meanwhile passed warrants to establish an officially sanctioned mint for the colony. In August of 1853, Parliament authorized an official branch of the Royal Mint, and on 14 May 1855 the Sydney Mint opened in a portion of the old Rum Hospital. The first gold sovereigns were struck in Australia on 23 June of the same year, bearing a variant of the Young Head portrait seen on London Mint coins but with a distinctive reverse. Over time the new sovereigns replaced the Adelaide pounds as the money of choice. One of the ironies of the situation then caused the Adelaide pounds to disappear: the mint's assayers as well as others discovered that the Adelaide 'tokens' were actually finer than advertised, more valuable intrinsically than the sovereigns that replaced them. Anyone in possession of an Adelaide pound did not in fact have 20 shillings (one sovereign) of value but rather 21 shillings and 11 pence, the actual value at the time of the gold content of the coins. The result? Almost all Adelaide pounds ended up being melted for the profit in gold this produced. They quickly disappeared. They perished. Every survivor is a miracle of chance. The coin offered here is far from perfect, but clearly it was never abused, and somehow it escaped the fate of almost all of the rest of the mintage. What was born of necessity as an experiment, was then rejected as inferior, then gathered up as being more valuable than it was thought to be, and was ultimately greedily destroyed, ended up becoming more desirable than anyone contemporary with its creation could ever have imagined. As the image at the centre of its obverse suggests, it has become a crown jewel of the coinage of early Australia. Estimate: £6000 - £10000 |  |
Match 2:
| Sovereign Rarities Ltd > Auction 11 | Auction date: 16 November 2023 |
| Lot number: 15 Price realized: Unsold | |
| Lot description: Alfred the Great (871-899), silver Penny, portrait type, third coinage (c. 880-899), London Mint, diademed portrait facing right, wearing tunic made up of curved lines with pellets, legend and outer beaded circle at rim surrounding, legend commences at lower left with saltire dividing King's name, ÆLFR ED REx, rev. small wide Londonia Monogram across centre, cross pattée either side, signature above and below in two lines, TILEVI+ /NE MON, the NE ligatured, the O with pellet centre and four tiny pellets surrounding, outer beaded circle surrounding, 1.61g (Mackay London B3 5, O3/R4 No.2; SCBI Ashmolean 9:249; N.646 VR; S.1062). Dark tone, with some light scratches on cheek, a little weak at centre of reverse, with raised die striations on the reverse fields, good very fine and a pleasing example, however NGC have deemed this coin to be tooled and therefore not straight-graded it perhaps mistaking under their incredibly bright lights the striations which were inherent from the die for tooling which is far from the truth. NGC Certification 6674772-002 The portrait silver Penny with the monogram of Londonia on the reverse has always been the most desirable type coin of Alfred for any collector to attain in their collection. The example demonstrated here has the rarer smaller London monogram with moneyer name above and below. For further reference see "The London Monogram Coinage of Alfred the Great and the Danelaw" by William A. Mackay, British Numismatic Journal, volume 89, 2019, pages 19-107. The obverse Latin legend translates as "Alfred King" on this superb portrait Penny which is coupled with the Londonia Monogram and "Tilewine Moneyer" on the reverse. Alfred the Great was the key monarchal figure in the survival of the Kingdom of Wessex at the time of the Viking invasions and for that reason is seen by some as the first King of Anglo Saxon England. Born c. 848 he was perhaps 23 by the time he ascended the throne of Wessex in April 871, after Viking invasions were responsible for the death of Aethelred I. Various skirmishes and battles with the Vikings followed across Wessex in succeeding years where the legend of Alfred burning the poor cottager's cakes and accepting her subsequent scolding stems from, whilst he was travelling incognito. Victories followed and by 878 after a division of the country with Guthrum the Dane, Alfred was set up the fortified town "burgh" system across Wessex. By 886 he had finally taken and fortified the Capital City of London, from whence such a coin as we have offered here would have been struck. Alfred also commissioned the Anglo-Saxon Chronicle and is portrayed as one of the most significant rulers of the time. He died on the 26th October 899 aged c. 52. Provenance: Ex Thomas Bliss, Sotheby, 22nd March 1916, lot 81 and illustrated on plate III, sold for £7. Ex Alexander Mann, Sotheby, 29th October 1917, lot 153 and illustrated on plate III, sold for £6/5/- Ex Spink Numismatic Circular, April 1927, item 67009, illustrated and offered at £8/10- Ex Albert Edward Bagnall, portion of collection likely sold to Spink 1964. Ex Spink Numismatic Circular, June 1975, item 5490, illustrated, graded almost EF and offered at £1,500. Ex Spink & Son, Coin auction 75, 29th March 1990, lot 233 illustrated plate 15, graded good VF – the Gantz provenance given has proven to be in error. Ex Dix Noonan and Webb, Auction 95, 17th November 2011, lot 4, graded nearly EF. Starting price: 17000 GBP |  |
Match 3:
| Ira & Larry Goldberg Coins & Collectibles > Auction 137 | Auction date: 29 January 2024 |
| Lot number: 1141 Price realized: 33,000 USD (Approx. 30,565 EUR) Note: Prices do not include buyer's fees. | |
| Lot description: Great Britain. Pattern Farthing Struck in Gold, 1797. Peck-1191 (EXR). 9.2g. Restrike. George III, 1760-1820. The elderly king is depicted facing to the right, his body draped, his hair laureate. In classic Soho Mint style, the portrait is centered within a recessed circle. On the reverse, Britannia is shown seated facing left, SOHO mint name on a rock behind her, all within a recessed center. Edge is plain. A brilliant example of this great rarity. Pop 1; The only one graded at PCGS. PCGS graded Proof 63 Deep Cameo. Estimated Value $15,000 - UP Beginning in the 1780s, Matthew Boulton and James Watt revolutionized Great Britain's coinage, indeed altered the very nature of its hard money. Boulton owned a button manufactory in Birmingham but he was more than an industrialist; he was a man of vision and an entrepreneur in every fiber of his body. Acutely aware of the depressed state of the coinage that was circulating in the 1780s, he decided to team up with Watt, inventor of the steam engine who held important patents, and the pair commenced upon their greatest of many achievements: establishment of the Soho Mint. Watt modified his invention so as to work in a new way, moving its functional parts up and down, rapidly, as powered by steam. It could pound out buttons (and coins!) faster and better than had ever been possible, with perfect accuracy. Boulton put his entire manufactory at the disposal of their new enterprise. They began with a tentative pattern halfpenny coinage in the late 1780s. It and subsequent, boldly struck coins made on contract so impressed the officers of the king's Royal Mint that Boulton and Watt won important contracts to make a series of entirely new-looking, modernistic copper coins-including the first-ever copper penny, dated 1797. The enthusiastic acceptance of their copper farthings, halfpennies and pennies led to a contract to create temporary money in the late 1790s by over-striking foreign silver coins, and eventually to the creation of the uniquely styled 1804 Bank Dollars. These coins saved an economy that was faltering because of extreme lack of both silver and copper money. Aside from millions of such coins made to enter commerce, the Soho Mint also created some of the finest proof coins for collectors. Dozens of patterns and proofs came from the proofing presses of the Soho Mint, in a variety of metals. After Soho closed its doors in the 1820s, an enterprising dealer in antiques purchased some of Soho's old dies and re-struck pieces for collectors. Mostly these were minted very carefully in the first few decades of the 19th century. Copper, sometimes bronzed, sometimes gilt, was the most used metal for these now-celebrated re-issues. Silver strikes were made only occasionally, thus quite rare. Gold pieces were the rarest, originally intended for the collections of wealthy men, often friends of Boulton who requested specially made coins. The glorious gold farthing seen here is one of those. Ex Spink, London, private treaty, May 2005. |  |
Match 4:
| Spink > Auction 392 | Auction date: 14 January 2024 |
| Lot number: 204 Price realized: 35,000 USD (Approx. 31,976 EUR) Note: Prices do not include buyer's fees. | |
| Lot description: Edward VIII (1936), Winchester College, The King's Gold Prize Medal, 1936, awarded to Christopher Ivan William Seton-Watson MC*, by Thomas Humphrey Paget and Bertram Wyon, EDWARDVS VIII REX ET IMPERATOR HONOREM PROPONIT, 'classical' bare head left, rev. the tomb of William of Wykeham, ETIAM SEPULTI VIVIT FAMA WYKEHAMI OB MCCCCIV in three lines in exergue [\Even buried the fame of Wykeham lives, died 1404"], 49mm., 86.35g., [Unhallmarked, Spink XRF: 18ct. Gold, London (Royal Mint)], struck retrospectively on 2 March 1937, edge largely plain but inscribed upwards C. I. W. SETON-WATSON. 1936. in New Roman capitalised script 9 and 4 o'clock (BHM - [cf. 4383/3720]; Eimer - [cf. 1240]; Jeremy Cheek, 'Royal Prize Medals', BNJ, 2018, pp. 175-188), faintly hairlined and lightly wiped in otherwise lustrous, original fields, an unfortunate but largely imperceptible scratch above Wykeham, otherwise extremely fine and much as issued, OF NATIONAL SIGNIFICANCE, as a 'one-year type' of which only two examples were struck off in gold for English and Latin Speech at Winchester College, the oldest continuously operating patron of an annual Royal Prize Medal, and whose unique obverse legend: 'Edward VIII, The King and Emperor Proposes this Honour' elevates this prestigious award to truly exalted numismatic heights especially when viewed alongside the approved 'Coin Portrait' in a format larger even than his legendary Pattern Five-Pounds, and critically struck in gold, by and housed in, the Royal Mint official case of issue with the stunning and seldom-encountered Edward VIII Cypher in gold-letter Provenance The Estate of Christopher Ivan William Seton-Watson MC and Bar (1918-2007). Christopher was born 6 August 1918, the younger son of Robert William and Marion Esther Seton-Watson. He was baptised at St Margaret's (Westminster) on 7 October that same year. Prior to education, he resided at No. 1 Buckingham Street, Buckingham Gate, London. His father, often writing under the pseudonym 'Scotus Viator' from here, proved a troublesome thorn in the side of the British Government for his outspoken beliefs on a federal solution to Austro-Hungary. Conscripted into the Royal Army Medical Corps in 1917, his allies soon rescued him to the Intelligence Bureau of the War Cabinet and the Enemy Propaganda Department. It was during this posting that Marion would fall pregnant and Christopher would be born. Whilst his second son was still an infant, Robert journeyed to Paris on his own diplomatic mission for the Peace Conference of July 1919. He continued to rile European officials with his jibe about the 'pygmies of Paris', but equally sought the renewal of friendships with ministers of the new state of Czechoslovakia. His allies Tomáš Masaryk would become the first premier; and Edvard Beneš its Foreign Minister. Unsurprisingly Seton-Watson Senior would prove instrumental in the establishing the post-war frontiers of Yugoslavia and Italy. Robert separately established the School of Slavonic Studies and from 1922 held its post as the first Masaryk Chair of the Faculty. Following the Wall Street Crash of 1929, Robert devoted his time to academic teachings; although was reportedly unpunctual, untidy, and too preoccupied with other matters". Unsurprisingly, Prime Minister Neville Chamberlain's later policy of appeasement to Nazi Germany about the subject of Czechoslovakia, found in Seton-Watson one of his governments most pointed critics. This lead to his publication of "Britain in Europe: 1789-1914 - A Survey of Foreign Policy, 1937, in which he argued for the strengthening of the enforcement role of the League of Nations as a 'united European front against the disturbers of the peace'; in short to be an active deterrent against the 'inverted Bolshevism of Italy' and naked aggression of Germany. Following the Second World War, Seton-Watson lamented the loss of the former Easter blocs new-found democratic freedoms, retiring to the Isle of Skye where he died in 1951. With the pursuit of geo-political and military history firmly embedded within the traditions of this family, it is unsurprising to see first Hugh (born 1916), and then Christopher follow in their father's footsteps. Educated at Horris Hill, Christopher became a scholar of Winchester College in 1931. In the Summer of 1936, Christopher would receive this prestigous King's Gold Prize Medal for Latin Verse; and subsequently serve as Head Boy, or 'Aule Prae' until he left the school the following year. His academic record was excellent - having further distinguished himself in History and Latin Speech; a School Exhibition; and as the recipient of the main Classical Prize for an Old Wykehamist - the Goddard Scholarship. The following year, Christopher commenced his Bachelor degree at New College, Oxford with the study of Classics and PPE, and helpfully where his elder brother Hugh was already working as a lecturer. Also revealed on the 1939 Census is the fact Christopher had joined the Officer Training Corps as a Cadet. This would expedite his transition into the colours upon the outbreak of hostilies in September 1939. The history of the Winchester College Prize Medal dates to at least as early as the first decade of the reign of King George III in the 1760s. However, it was not until 1797, that the Prince of Wales (the then Prince Regent) took up the patronage of the award and the addition of HONOREM PROPONIT ("Proposes the Honour") was made to the design. This Royal Prize Medal is the oldest of the now 24 annual awards bestowed by the Sovereign across the Armed Forces, Education, Architecture, Science, Poetry and Geography. As noted by Christopher Eimer (Author, British Historical Medals): "the medal was established by the Prince of Wales... two each in gold and silver, to be awarded in gold for Latin speech and in silver for Latin prose; the other two medals to be awarded for English, gold for speech, silver for verse, these to be awarded in alternate years." Today, Winchester College preserves an early example of the award for 1801, stating the transitional legend 'HONOREM PRINCEPS PROPONIT' and the device of the Prince of Wales (the Ostrich Feathers). When the Prince Regent became King George IV in January 1820, the bestowal of the Prize Medal became the preserve of the Sovereign, a tradition that endures to the present day over two centuries later. The present design was updated by Bertram Wyon during the reign of Queen Victoria to depict the tomb of school founder William of Wykeham, who died in 1404. Winchester College also preserves a small collection of prize medals from the reign of King George V (1919); King George VI (1945) and the late Queen Elizabeth II (2008). As Cheek notes: "Laurence Brown went to great lengths to define which medals should or should not be included in his book. Generally prize medals were excluded, as he felt that if he did not do so the book would never be complete or be published. However his overriding consideration was that medals of national importance would be included. As Royal Prize Medals were thought to be of national importance they were there confusingly in both categories. The result was that Royal Prize Medals issued during the reigns of George IV (1820-30) to George VI (1936-52) were included in BHM.... He continues: "There are also other Royal Price Medals not listed in BHM and not present in the following set: those medals produced with the effigy of Edward VIII, of which twenty-six were produced late in 1937. Equivalent issues to nos. 1-7, 10-12, 14-16, 18 and 20-21 were produced bearing the effigy of Edward VIII; no Edward VIII medals were produced for the Royal Geographical Society (Founder's Medal); the Royal Institute of British Architects, the Police Essay Competition or the Poetry Medal. A Royal Household Long and Faithful Service medal of Edward VIII was produced but never awarded; there is an example in the Royal Mint Museum. The other medals listed in the set described below were only initiated after the abdication of Edward VIII in December 1936. Laurence Brown was an assiduous researcher and I am sure that the omission of these medals from BHM was deliberate, presumably because he believed that they should be considered as Patterns for medals that were not issued, and thus lay outside the scope of his book. However since the publication of BHM two examples of Royal Prize Medals with the effigy of Edward VIII have appeared at auction inscribed with receipients' names, so it would appear that at least two were in fact awarded. There are no specimens of Royal Prize Medals with the effigy of Edward VIII in the Royal Collection." Corpus: 1. Royal Military Academy (Sandhurst) 2. Britannia Royal Naval College (Dartmouth); Awarded to Peter S Wilson; Morton & Eden, Auction 8, 25 May 2004, lot 133 (£6,200 HP); Joseph S Giordano Collection 3. Royal Air Force College (Cranwell) 4. King Edward VIII School (King's Lynn) The abdication of King Edward VIII on the 11 December 1936 brought to an end a tumultous 325-day reign. The termination of his reign brought with it the logistical headache of scrapping his approved effigy for a replacement in the likeness of King George VI. Deputy-Master of the Royal Mint (1922-1938), Sir Robert Arthur Johnson conceded: "The work of the two artists was all but completed when the events of last December rendered it nugatory. Over 200 dies of coins, medals and seals were thus rendered useless and the Mint was faced with the task of securing portraits of his present Majesty with but limited time available." He added in the same December 1937 interview shortly before his death: "I am betraying no profound secret in stating that the coinage effigy of the former King was, at his personal wish, prepared facing to the left. But as there has been no coinage bearing the bust of the former King, the old tradition has maintained by showing the effigy of the present monarch facing in the same direction as the last monarch but one. The new King's effigy faces left, as did those of King George V and Queen Victoria, a fact which is surely one of the most happy augury." He concluded: "During 1936, in the early stages when the coinage for King Edward was in question, I was made aware that some desire existed for a complete departure from the heraldic tradition which has been associated for several centuries with our principal coins." Based on surviving Royal Mint Archives, Official Gazette entries, contemporary newspaper reports and eyewitness accounts, the following timeline can be reconstructed for the numismatic and philatelic record of the short-lived King's reign. 20 January 1936 - At five minutes to midnight, King George V dies at Sandringham and his eldest son David, Prince of Wales becomes King Edward VIII. Thursday, 6 February 1936 - An official at the General Post Office informs the Daily Telegraph, that: "New postage stamps and postal orders bearing the portrait of King Edward VIII are not likely to be issued until the end of the year. It can also be authoritatively stated that no mourning stamps are to be printed. The annual sale of stamps in Britain totals 7,000,000,000. Postal orders number 225,000,000. Of the 70,000 letter boxes in the country, comparatively few will bear King Edward's initials for some time. New boxes will do so. Letter boxes bearing the inscription E.R. VII are still in existence, and there are still a few old ones marked V.R. On the 9,000 mail vans, the Royal initials will be altered as the vehicles are repainted." It is estimated that only 271 post-boxes bearing the cypher of Edward VIII were eventually produced. The same day, the 4th Winter Olympiad is opened in Garmisch-Partenkirchen by Adolf Hitler. Friday, 21 February 1936 - "The King received Sir Robert Johnson, Deputy Master of the Royal Mint at Buckingham Palace, and inspected a plaster cast of his own head, which had been prepared at the Mint. The cast will, with Royal Approval, be used not only for the new coins, but also in the preparation of dies for medals and other purposes." Friday, 13 March 1936 - "The King has approved two designs for the new Royal cypher: "E.R. VIII.". The War Office will make known to the public next week the designs submitted by Garter King of Arms which have been approved by the King. One Cypher in plain modern block letters surmounted by the Imperial Crown, will be used by the postal authorities and Government offices, Embassies, Legations and Consulates abroad, and by Dominions, India and the Crown Colonies. The other cypher follows the traditional style of interlocked initials with oak-leaf fringes. This will be used by the armed forces and the constabulary of the Empire." Tuesday, 28 April 1936 - The King sat at Buckingham Palace for the two medallionists [Thomas Humphrey Paget and Percy Metcalfe] of the Royal Mint, for the head which will appear on the new coinage and the medals which will be granted by King Edward the Eighth. Friday, 1 May 1936 - In what is estimated to be a £1,000,000 stimulus to the manufacting and stationery industry of Britain, the first printed examples of the King's Cypher appear in circulation. Saturday, 30 May 1936 - Bradford Post Office becomes the first building in Britain to feature the King's new cypher. Monday, 20 July 1936 - The Annual Swan Voyage of His Swan Master's Skiff along the River Thames exhibits the new Royal Cypher 'in red surmounted by a gold crown'. Friday 31 July 1936 - Sir William Currie, Chairman of the Worcester Committee announced that the King had been graciously pleased to become the patron of [Thames Nautical College, H.M.S.] Worcester. The King's gold medal was won by Kenneth Hodson. "A letter from the Secretary of the King's Privy Purse was read explaining that the medal could not be presented yet as a new one had to be cast bearing King Edward's head." This same medal was later sold by Sotheby's at an auction of 5 July 1994 (lot 211) and is believed to remain in a Private British Collection. Friday, 7 August 1936 - The King approves the uncrowned effigy submitted by Mr Thomas Humphrey Paget for his coins and medals, and the designs for the reverse of the new silver coinage by Mr George Kruger Gray. Tuesday, 1 September 1936 - Edward VIII's uncrowned effigy is released on stamps at midnight, featuring the series of halfpenny, threehalfpenny and twopence-halfpenny. London's three 'all-night post offices' in Fleet Street were besieged by collectors with queues forming two hours beforehand. "The issue was regarded as the greatest success of any recorded by the Post Office as over 30,000,000 stamps were sold on the first day." The following day however, critics were quick to note: "The head of the King is far from being the best photograph that has ever been taken and makes him appear more youthful than he really is. People are asking why there could not have been a break from tradition. Why always a face in profile? Why not full face, with the King wearing that boyish smile which has endeared him to millions? The new Australian stamp shows the King full face, so why not the English?" The Belfast Newsletter notes: "People are expressing the hope that a little more imagination will be displayed in the preparation of the new King Edward coins than has been manifested in the printing of the new stamps." Monday, 14 September 1936 - The penny stamp of Edward VIII is released. Wednesday, 16 September 1936 - The Royal Mint submits proposals to the Treasury for a new larger Threepence coin. An official stated: "the size is midway between that of a sixpence and a shilling. Efforts are being made to find a distinctive edge for the coin. The metal to be used has not yet been decided upon. The new coin will not however be made of silver or nickel." As Prince of Wales, Edward had described the silver issue, colloquially dubbed a 'joey' as an 'annoying coin'. Monday, 8 December 1936 - The Official Gazette, Notice No. 769 states: His Majesty the King has approved the issue of the customary official medal to commemorate His Majesty's Coronation. The medal will show on the obverse the crowned effigy of His Majesty with legend, and on the reverse the gateway of St James's Palace. "The Royal Mint are prepared to accept orders for these medals in Gold, large size, diameter 2.5 inches, price 50 guineas; small size, diameter 1.25 inches, price 12 guineas." Notice No. 770, states: "It has been announced that His Majesty the King will broadcast a message to the Empire on the day of his Coronation, Wednesday 12 May 1937. This will be His Majesty's first act after the Coronation ceremony is over. It is understood that a message to the Empire will not be broadcast by His Majesty at Christmas." Wednesday, 10 December 1936 - King Edward VIII signs his 'Instrument of Abdication' Thursday, 11 December 1936 - King George VI acceeds to the throne Tuesday, 2 March 1937 - The Royal Mint produces the obverse die hub for the Winchester College, King's Prize Medal. As each Royal Award is the preserve of the incumbent Sovereign, it is elected to retrospectively strike the medals with the 'classical' uncrowned effigy of the former King Edward VIII for those awarded in 1936. These are distributed to recipients over the following month. i) The Royal Collection boasts the artist's approval in gilt metal of King George VI sent for the monarch's personal assent (RCIN 443736). No artistic trials of Edward VIII were produced for the same purpose as the medals were to be produced retrospectively. ii) Spink has offered Marcus William Dick's, 1938 award in 2014, lot 628 iii) Spink has offered John Christopher Dancy's, 1939 award in 2021, lot 8110 Estimate: 15000 - 20000 USD |  |
Match 5:
| Heritage World Coin Auctions > NYINC Signature Sale 3113 | Auction date: 8 January 2024 |
| Lot number: 31155 Price realized: 800,000 USD (Approx. 729,280 EUR) Note: Prices do not include buyer's fees. | |
| Lot description: Great Britain Charles II silver Pattern "Petition" Crown 1663 MS62 NGC, KM-PnB33, S-3354A, L&S-6, ESC-429 (R4; prev. ESC-72). By Thomas Simon. Edge reads: THOMAS SIMON • MOST • HVMBLY • PRAYS • YOUR • MAJESTY TO • COMPARE • THIS • HIS • TRYALL • WITH • THE • DVTCH • AND • IF • MORE | TRVLY • DRAWN & • EMBOSS'D • MORE • GRACE: FVLLY • ORDER'D • AND • MORE • ACCVRATELY • ENGRAVEN • TO • RELIEVE • HIM •, in two lines. Distinguished as one of the most remarkable and acclaimed pieces of British numismatic history, the 1663 "Petition" Crown is a fascinating testament to the artistry and craftsmanship of this historic era. The coin was masterfully engraved by Thomas Simon, one of the most celebrated medalists and engravers of seventeenth-century England. The "Petition" Crown represented Simon's "petition" to become the Chief Engraver under King Charles II, who had just restored the monarchy. While this petition was ultimately unsuccessful, as the King preferred the work of the Rottier brothers who had assisted Charles while he was exiled in Holland, Simon's famed legacy rests as one of resolution and honor. The "Petition" Crown is an artifact of breathtaking complexity and unrivaled artistry. Its obverse boasts an impressively detailed and regal effigy of King Charles II. Simon demonstrated absolute brilliance in his meticulous engraving techniques by painstakingly depicting fine intricacies, such as the individual strands of the King's hair, the finely draped fabric of his collar, and the raw strength within his muscular neck. On the reverse, we find a continuation of Simon's prowess. Every detail, from the interlinked 'C's to the crowned cruciform shields of England, Scotland, Ireland, and France (with the order of the Garter at the center) brings forth an aura of dignified virtuosity. Together, it showcases his mastery over Pierre Blondeau's newly introduced mill and screw press, allowing more minting precision over the more traditional hammer approach. To further set Simon apart, the genius use of edge lettering in his designs acted as the utmost, built-in protection against edge clipping and counterfeiting – a problem that has pursued hammered coinage throughout numismatic history. The total population of known "Petition" Crowns lies below twenty specimens with seven residing in various public institutions and museums. Today, only three are certified by NGC, and the offering at hand is the second highest graded example known to man. While conducting research, it is highly possible that this exact coin was auctioned by Sotheby, Wilkinson & Hodge on June 29th, 1903 within a collection titled "The Valuable Collection of English Coin's and Medals (Including the Petition Crown of Charles II): The Property of a Nobleman". Found on Plate One, number 102, we see a similar matching of markings that could feasibly link the two coins. The main culprits of the examination lie on the bottom side of Charles' nose, the top of his cheekbone, and directly above the second-highest laurel leaf. Regardless of its true ownership history, it is undoubtedly worthy of its Mint State designation, boasting full, sharp legends and motifs with no trace of wear. The silver-gunmetal surfaces provide the perfect canvas for this level of art, allowing the light to seemingly dance upon the lower fields. To accent the silver, a graceful veil of champagne toning emerges with movement, proving a lovely juxtaposition of hues. This 1663 "Petition" Crown is a true treasure to behold as a masterstroke of numismatic art. It is imbued with centuries of ambition, history, artistry, and magnitude within its scripted edges. This exceptional rarity deserves quite an advanced cabinet for it is sure to be an unmatchable and paramount piece. https://coins.ha.com/itm/great-britain/great-britain-charles-ii-silver-pattern-petition-crown-1663-ms62-ngc-/a/3113-31155.s?type=DA-DMC-CoinArchives-WorldCoins-3113-01082024 HID02906262019 © 2023 Heritage Auctions | All Rights Reserved Estimate: 400000-500000 USD |  |
